For each group, you can designate one “Hero” shot to which all the other clips in the group will be matched. To assign clips to a group, first select the color and then click on the clips you want to add. Shot Matching in Cinema Grade gives users the ability to group similar shots into color-coded categories to quickly compare and copy color corrections. Focus on color correcting these particular clips first. We recommend previewing your clips to determine which ones best represent the majority. But, it’s important to realize the purpose of this step is to correct and color balance your clips. You can utilize all the color tools in the Basic Correction Correct panel. Cinema Grade doesn’t limit you to primary corrections at this stage. You can also apply specific camera and conversion LUTs for log and raw formats before color balancing. This mode is for color balancing your individual shots. We’ve already covered the layout and tools in each of these interfaces, but now we’re going to look at them in terms of workflow order.
The steps in the workflow are right at the top of the interface: Basic Correction, Color Matching, Final Grade. But Cinema Grade has a specific workflow that, when used, is very powerful and efficient. You’ll love it just for adjusting the hues of objects in your shots.
You can use Cinema Grade however you want, obviously. The interface cleverly hides tools so that the image is the biggest thing in the interface, as it should be. There’s so much more to Cinema Grade than meets the eye, and we mean that literally. Cinema Grade Brings DirectGrade, Step-by-Step Guided Grading, and Hollywood Film Looks to Premiere Pro.Cinema Grade is an all-new color grading application by Color Grading Central.
BEST COLOR CORRECTION FOR OFFICE SHOTS PROFESSIONAL
Does this make Cinema Grade any less of a professional tool? Absolutely not! Anyone doing color grading can benefit from Cinema Grade.Īt the end of the day, regardless of user skill level, once you “buy in” to Cinema Grade’s approach to color grading, it’s blazing fast! Especially for making isolated hue adjustments.īut let’s not get ahead of ourselves just yet.
BEST COLOR CORRECTION FOR OFFICE SHOTS SOFTWARE
It’s the color grading software of tomorrowĬinema Grade is targeting individuals-filmmakers and video creators-as opposed to the professional editing and color grading market. In fact Cinema Grade claims professional results without the “pain and frustration” of traditional color grading tools. Cinema Grade identifies itself as a “modern color grading software for the independent filmmaker.” Two things you can glean from this marketing statement:Ĭinema Grade is going to look and feel more progressive than the color tools you’re used to.
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